The Republic of Letters

THE National Republican Short Story Competition is open again. Now in its fourth year the National Republican Short Story Competition has helped to build the emerging Australian republican fiction genre. The theme this year is ‘defining Australian identity in a future Australian republic’. Short stories will speculate on Australian republican futures. They don’t have to be political thrillers or constitutional whodunits as long as they are an exploration of our future, our republican future.

(Image courtesy Alt-rock band of same name.)

The Republic of Letters emerged in France during the course of the 17^th and early 18^th centuries and was composed of French intellectuals from the Parisian salons who worked together to bring about concepts of philosophy, broadly conceived as the project of Enlightenment.The main way the philosophical ideas of the Enlightenment’s Republic of Letters were transported throughout France and across the Atlantic was through polite conversation and letter writing. It was their imagining of possibilities that helped to bring about change. We can’t achieve anything unless we imagine it first. Before every great invention and before every great journey is the idea. Without ideas and imagination, we are all trapped in the past.

In 2009, the Australian Republican Movement used the example of the Republic of Letters to encourage political change in Australia through the establishment of the National Republican Short Story Competition. One way that change can begin is through speculative fiction writing.

Speculative fiction writers deal with possibilities.
They speculate.   

They make the future seem real.

The National Republican Short Story Competition began in 2009. This was a milestone, as it had been 10 years on 6 November 2009 since the republican referendum was lost. To commemorate this event and to remind Australians what they still didn’t have the Australian Republican Movement ran the First National Republican Short Story Competition as a challenge to Australia’s fiction writers to speculate on the possible futures of the Australian republic.

The winner of the 2009 First National Republican Short Story Competition was the Canberra-based writer, Kel Robertson. On learning of his win, he commented:

‘I am truly delighted to win this competition. I enjoyed myself immensely writing this story; the whole experience was entertaining. As a young man I was very much of my time and had great sympathy for the royal family whereas now find myself bemused by their activities. It was great fun being able to have some gentle pleasure at their expense.’

In Rook Feast, Robertson told the story of the final meeting between the King of England, who is under house arrest, and a minister of the British government. The minister (who is also a relative) has come to inform the last King of England “on a perfect English spring day” what is to be his fate. Set in the future, where a post-tourism-age appears to have killed the monarchy, Robertson’s story explored concepts of the hidden costs of monarchy through a ‘security expenditure issue’ and the theme of the inevitability of the popular will of the people. The plot was written around a discussion of what would be the individual future of the last King of England. There is a strong sense of pathos and resignation from the King:

“More than 1500 years of history all the way from bloody Edgar. Over. Ended.”

But for the last King there is no exile to

‘…California or New York, gracing the boards of big corporations, skiing Aspin in winter and sailing Rhode Island in summer.’

He is not welcome in the great democracy. Nor have the governments of Canada, Northern Ireland, New Zealand or countries in the Caribbean, and Africa accepted him. Instead, nearly 50 years after they removed their titular monarch, the government of Australia agrees he and his family can settle their as private citizens. In this Australian republican future the robust egalitarian society of the south remains strong with sufficient generosity of spirit to embrace the remnants of Northern Hemisphere royalty — the last King of England and the newest citizen of Australia.

In 2010, the theme for the Second National Republican Short Story Competition was ‘Life and Death in an Australian Republic’. Helen Bersten and Sean Oliver Ness were each awarded a ‘Highly Commended’ for their short stories Double Lives and Inauguration Day.

In Double Lives, Bersten tells dual stories: one set during a Presidential meet’n greet where his new team of advisers, Team PC (People’s Choice), are getting to know each other. At the same time, a fictional crime story is being told about the night the Dunbar sank at South Head in Sydney Harbour. Double Lives is both imaginative and innovative. The attempt at a dual narrative – one commenting on the other, the past intruding into the present – is ambitious and difficult. The complicated structure makes a genuinely ambitious and credible effort to produce a fiction. It is a story that has the required republican provenance but which tries to do other things and go to other places, both physically and psychologically.

In Inauguration Day, Ness tells the story of James Hapeta, an Australian Federal Police Lieutenant assigned to Presidential protection detail with the Inauguration Day Presidential parade. As the Presidential motorcade travels through the streets of Canberra, Hapeta and his security colleagues’ attention to security is at fever pitch due to a discovered credible threat. Ness’ sense of humour is evident in his reference to ‘Billies’. As the Presidential motorcade passes through Ainslie

‘…an elderly couple: grey hair, plain clothes, a stiffness that stood out from the happy families [are holding] a poster-size portrait of the Queen [and] a sign that said “THE SECOND RUM REBELLION IS HERE – GOD SAVE US ALL!’

Ness explains that in the early days, monarchists took the Rum Rebellion analogy and ran with it; in response, they were uniformly nicknamed Billy Blighs, or just Billies. Hapeta observes the scene around him:

‘The big houses faded as they turned a sharp corner onto Antill. On the left, they passed schools and public swimming pools and clusters of shops; on the right, rows of small homes and low-rise apartment blocks. State Policemen were on either side of the street, controlling the crowds. As the motorcade swept down the street, the low murmurs turned into a loud cheer that echoed off the apartment blocks. Streamers were tossed into the air, and confetti rained down like pink snowflakes.’

When Hapeta breaks protocol and leaves his post to assist a ‘Statie’, the theme of ‘Life and Death in the Australian Republic’ emerges. The final scene is captured by a bystander with the photo becoming the defining memory of the day.

In 2011 the theme for the Third National Republican Short Story Competition was ‘Citizen or Subject’. First prize was awarded to Valda Marshall for A Child of the Holocaust, second prize to Richard Johnson for The King and Mister Crow and third prize to Harold Mally for Royalty Reality.

Marshall’s winning story is a touching description of the raising of the first president by immigrant parents, whereas the second and third prizes have either Prince William or Prince Harry as a main character. Marshall is a former journalist and TV writer who has worked in Sydney, Toronto (Canada) and New York. Her television writing credits include Neighbours, and Sons and Daughters. While working with Neighbours, Valda co-authored two books based on the Ramsay Street families: The Ramsays: A Family Divided and The Robinsons: A Family in Crisis. She has been a staunch republican since the 1950s. “I am an absolutely passionate republican,” she has commented.

“At the movies in the 50s, when they played God Save the Queen before a screening, even then I thought, why are we doing this? Why do we have a head of state on the other side of the world?”

Her 2010 novel, The First President is a story of love and politics in which Australia becomes a republic in 2016. Valda was born in Adelaide and now lives in Sydney.

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It seems strange there is no tradition of republican speculative fiction in Australia. In colonial times there were republican poets such as Charles Harpur writing in the 1840s and 1850s, and republican writers such as John Dunmore Lang and Daniel Deniehy in the 1850s and William Lane, Henry Lawson and John Norton in the 1880s and 1890s. But where have been the republican stories for the past century? There have certainly been many republican writers during this time, but very few examples of where republican settings or arguments have been explored in Australian fiction. Republican arguments and explorations of the past and imaginations of the future have almost always been written within the framework of constitutional debates.

So, the Australian Republican Movement would like to point the way forward through Australian stories with a republican backdrop. They don’t have to be political thrillers or constitutional whodunits as long as they are an exploration of our future, our republican future.

Competition details

• First Prize: $500
• Second Prize: $60
• Third Prize: $40
• Length: 2,000 to 4,000 words
• Closing date: 6 November 2012
• Entry is open to all Australian residents

The Fourth National Republican Short Story Competition guidelines and entry form and list of judges are available at http://republicanfiction.blogspot.com

To read more about the Australia’s emerging republican speculative fiction genre go to http://www.independentaustralia.net/2010/republic/speculating-on-a-republic

 

Previous National Republican Short Story winners are:

• 2011 First Prize – A Child of the Holocaust by Valda Marshall
• 2011 Second Prize – The King and Mister Crow by RPL Johnson
• 2011 Third Prize – Royalty Reality by Harold Mally
• 2010 ‘Highly Commended’ Prize – Double Lives by Helen Bersten
• 2010 ‘Highly Commended’ Prize – Inauguration Day by Sean Oliver Ness
• 2009 First Prize – Rook Feast by Kel Robertson

Welcome National Wattle Day

TODAY is the 20^th anniversary of the declaration of ‘National Wattle Day’, an appropriate time to commit ourselves afresh to caring for this land. Australians may have made a home for themselves amongst the gumtrees, but it is the wattle tree that has found its way into Australian symbolism. 

September 1 has many names. Some welcome it as spring’s dawn, a time to celebrate nature’s renewal. For others it is Wattle Day. It is a time when the smells of spring are in the air and the vivid gold of the blossom is literally arresting. Wattle Day is celebrated annually on the first day of spring when a sprig of Australia’s official national floral emblem, the Golden Wattle, Acacia pycnantha is traditionally worn. The green and gold of its leaves and blossoms were declared national colours in 1984 and in 1988 the wattle was adopted as the official national flower. The 1^st of September 1992 was formally declared as ‘National Wattle Day’ by then Minister for the Environment, Ros Kelly, and in 1993, the Australian Republican Movement gave its support to Wattle Day celebrations throughout Australia on 1 September.

Wattle blossoms are to be found on the Australian Coat of Arms and the Order of Australia is in the shape of a single wattle blossom. Australian Olympic athletes wear wattle inspired green and gold uniforms. A Governor General, Sir William Deane, took wattle blossoms to Switzerland to commemorate young Australians who died there and Prime Minister John Howard wore sprigs of wattle at ceremonies after the Bali bombings.
2012 is also the centenary of then Labor Prime Minister Andrew Fisher’s efforts to ‘Australianise’ our government system and national symbols. Fisher took a keen interest in the complex question of national identity. Home-grown symbols, he knew in his heart, were essential for a nation so young. The fragile cultural fabric needed connections, some stitching, and some leadership. Among other initiatives, such as the introduction of the Australian penny in 1911, Fisher had the Australian Coat of Arms (designed by the College of Arms in England) remodelled to give it a more Australian flavour by having wattle included as the decoration surrounding the Coat of Arms.

Australian Republican Movement (ACT) convenor Justin Ryan recently wrote to the ACT Chief Minister about pushing for a redesign of the ACT’s coat of arms, saying it was out of date. The design features a castle, swords, crowns, two swans and the motto ‘for the Queen, the law and the people’.
In making his submission, he said:
“Now we have a much stronger identity and I think the Centenary year next year is a really good opportunity for us to look at our symbols, and look at our identity, and see what we can do to update it.”
An obvious update would be to add some wattle.

Wattle celebrations first arose as occasions when earlier generations of Australians stood up and said: “I am from this land. This place is home”. Like the Southern Cross, the appeal of the wattle is not first and foremost to the idea of the nation — but to the idea of place.

Because there is no better symbol of our land than wattle, ‘National Wattle Day’ each year could be the day Australians recommit to the care of the land. Perhaps ‘National Wattle Day’ could become our land’s birthday. This is the time each year when the landscape waves its golden flag, and in response, many Australians resolve to both respect and care for the land.

Wattle is a broad and inclusive symbol. It grows in all parts of Australia, differing varieties flowering throughout the year. It links all Australians, from the first to the newest at citizenship ceremonies. It touches all levels of society, from very early pioneers and World War 1 diggers (buried with a customary sprig of wattle) to victims of the Bali bombings and the nation’s best who are honoured with Order of Australia awards with insignia designed around the wattle flower.

The wattle flower symbolises an egalitarian, classless, free citizenry.
The democracy of wattles – the fact that they grow in all states – was the overpowering reason why the wattle and not the waratah was chosen as the floral emblem in the early twentieth century. In September 1981, historian Manning Clark wrote in the Sydney Morning Herald:
“I love the spring. It means the wattle comes out again. It is a symbol of everything one loves about Australia and the ideal of the uniqueness of Australia. To me every spring holds out the hope that it won’t be long before Australia is completely independent [but I also] share Henry Lawson’s view that blood should never stain the wattle.”
In other words, independence of course, but peacefully achieved.

‘National Wattle Day’ on 1 September each year is an appropriate time to commit ourselves afresh to caring for this land. So, when the blaze of wattle lights up the Australian landscape each year, let’s all remember that the wattle is a symbol of our land that unites us all.